International Competition for Women Conductors – 2nd edition
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3-6 March 2022 At the Philharmonie de Paris & live on ARTE Concert and Philharmonie Live
La Maestra Academy
CONCERT ROYAL STOCKOLM PHILHARMONIC ORCHESTRA – JOANNA NATALIA SLUSARCZYK
CONCERT ROYAL STOCKOLM PHILHARMONIC ORCHESTRA – JOANNA NATALIA SLUSARCZYK
Royal Stockholm Philharmonic Orchestra
Joanna Natalia Ślusarczyk, conductor
Alva Holm, violin
Program
Ruth Gipps, Ambarvalia
Felix Mendelssohn-Bartholdy, Violin concerto in e minor
Alexander Borodin, Symphony n°2 in b minor
CONCERT Orquestra de la Comunitat Valenciana – Anna Sułkowska-Migoń
ASSISTANTSHIP WILLIAM CHRISTIE – USTINA DUBITSKY
ASSISTANTSHIP WILLIAM CHRISTIE – USTINA DUBITSKY
Les Arts Florissants
Ustina Dubitsky, assistant conductor
Program
Georg Friedrich Haendel, Zadok the Priest
Georg Friedrich Haendel, The King shall rejoice
Georg Friedrich Haendel, Te Deum HWV 280
Georg Philipp Telemann, Die Auferstehung und Himmelfahrt Jesu
News
La Maestra 2022 is…
Following the Final of La Maestra 2022, discover our 3 laureates!
Discover the 3 finalists of La Maestra 2022!
Our La Maestra 2022 Finalists have been selected…
Meet the 6 semi-finalists!
The 6 semi-finalists have been selected by our Jury after the Quarter-Finals, this Friday, March 4th. Discover their names!
La Maestra 2022: discover the running order of the Quarter-Finals, March 3 and 4!
The order of passage of the candidates has just been chosen by drawing! Discover the program of the Quarter-Finals…
La Maestra 2022: change of candidate
Due to travel restrictions in Hong Kong, candidate Vivian Ip unfortunately had to cancel her venue to Paris and won’t be able to compete at La Maestra 2022. She is replaced by the first candidate in the waiting list: Chaowen Ting! Chaowen Ting is the newly appointed Conductor of the Peabody Youth Orchestra and the Assistant Conductor of the Augusta Symphony Orchestra. A native of Taiwan, the ascendant maestra has …
2022: why do we still need La Maestra?
After the inaugural La Maestra, things have started to evolve for women conductors internationally… So, why do a 2nd edition?