
Could you be the next La Maestra?
LA MAESTRA ACADEMY
OBSERVATION SIMONE YOUNG – ORCHESTRE DE L’OPÉRA DE PARIS – DEANNA THAM
OBSERVATION SIMONE YOUNG – ORCHESTRE DE L’OPÉRA DE PARIS – DEANNA THAM
Giuseppe Verdi, Don Carlos
Krzysztof Warlikowski, metteur en scène
Giuseppe Verdi, Don Carlos
Charles Castronovo, Don Carlos
Ekaterina Gubanova, La Princesse Eboli
Marina Rebeka, Elisabeth de Valois
Andrzej Filonczyk, Rodrigue
Christian Van Horn, Philippe II
Alexander Tsymbalyuk, Le Grand Inquisiteur
Giuseppe Verdi, Don Carlos
- Édition 2024-2026
OBSERVATION ESA-PEKKA SALONEN – ORCHESTRE DE PARIS – DEANNA THAM
OBSERVATION ESA-PEKKA SALONEN – ORCHESTRE DE PARIS – DEANNA THAM
Esa-Pekka Salonen, direction
Benjamin Millepied, chorégraphe, danse
L.A. Dance Project
Igor Stravinski, Octuor pour instruments à vent
Béla Bartók, Musique pour cordes, percussion et célesta
Pierre Boulez, Rituel in memoriam Bruno Maderna
- Édition 2024-2026
DIRECTION – PARIS MOZART ORCHESTRA – LIUBOV NOSOVA, EU-LEE NAM, BAR AVNI
DIRECTION – PARIS MOZART ORCHESTRA – LIUBOV NOSOVA, EU-LEE NAM, BAR AVNI
Eu-Lee Nam, direction
Liubov Nosova, direction
Bar Avni, direction
Claire Gibault, direction
Felix Mendelssohn Le Songe d’une nuit d’été (Ouverture et Scherzo), Katharina Morin, direction
Sergueï Prokofiev, Symphonie n°1 « Classique », Liubov Nosova, direction
Franz Schubert, Symphonie n°8 « Inachevée », Bar Avni, direction
Alisa Zaika, Oeuvre nouvelle (création), Claire Gibault, direction
Ludwig van Beethoven, Symphonie n° 3 « Héroïque », Claire Gibault, direction
- Édition 2024-2026
COMPETITION NEWS
Announcement: La Maestra 2026, 4th edition of the International Competition for Women Conductors
Joint interview: Claire Gibault, Nathalie Stutzmann, Judith Chemla
La Maestra 2024 is…
THE STORY
Why create a conducting competition – with a complementary Academy – open only to women? A legitimate question, perhaps, given that the first signs of changing attitudes towards women conductors are becoming apparent in some parts of the world.
But while more and more women conductors are enjoying successful careers, deeply entrenched sexist discrimination is sadly still a very-present obstacle for many.
With La Maestra International Competition & Academy the Paris Mozart Orchestra and the Philharmonie de Paris are together seeking to unite the international musical world behind a strong commitment to women conductors, encourage vocational aspiration among women and offer the youngest among them unprecedented levels of support.
For there is yet more to be done. The talent is there, in all its abundance and variety. It is now up to all of us to give women orchestral conductors the visibility and support they deserve.
PARIS MOZART ORCHESTRA
Founded by Claire Gibault in 2011, the Paris Mozart Orchestra is a flexible ensemble varying in size and instrumentation according to the demands of each project. Through challenging and innovative programming, the PMO champions both classical and contemporary music, while advancing the accessibility of the arts in a generous spirit of open-hearted partnership.
PHILHARMONIE DE PARIS
A cultural centre like no other in the world, the Philharmonie de Paris encourages all audiences to embrace music.
It has an ambitious artistic and social project based on an exceptional concert programme, a far-reaching education and transmission policy and a heritage project combining the permanent collection of the Musée de la Musique with temporary exhibitions.