
LA MAESTRA ACADEMY
Co-direction – Paris Mozart Orchestra – Festival d’Avignon – Lamar Elias
Co-direction – Paris Mozart Orchestra – Festival d’Avignon – Lamar Elias
Claude Debussy, Six Epigraphes antiques (orchestration de Jean-Claude Petit) * [et en introduction de chaque mouvement, un extrait des Chansons de Bilitis de Pierre Louÿs]
Silvia Colasanti Orfeo**
Suliane Brahim, récitante, pensionnaire de la Comédie-Française
Lamar Elias, direction *
Claire Gibault, direction **
Paris Mozart Orchestra
- édition 2026-2028
Co-direction – Paris Mozart Orchestra – Festival d’Avignon – Lamar Elias
Co-direction – Paris Mozart Orchestra – Festival d’Avignon – Lamar Elias
Suliane Brahim, récitante, pensionnaire de la Comédie-Française
Lamar Elias, direction *
Claire Gibault, direction **
Paris Mozart Orchestra
Claude Debussy, Six Epigraphes antiques (orchestration de Jean-Claude Petit) * [et en introduction de chaque mouvement, un extrait des Chansons de Bilitis de Pierre Louÿs]
Silvia Colasanti Orfeo **
- édition 2026-2028
Résidence académie La Maestra – Philharmonie de Paris
Résidence académie La Maestra – Philharmonie de Paris
Masterclasses, rencontres avec des professionnels et des musiciens d’orchestre.
Mojca Lavrencic, Lamar Elias, Jiajing Lai, Molly Turner et Alizé Léhon
21 septembre 2026 : Masterclasse d’Ouri Bronchti avec les lauréats chanteurs et chef.fes de chant de la Fondation Royaumont
24 septembre 2026 : Masterclasse de Thomas Hengelbrock avec l’Orchestre de Chambre de Paris
25 septembre 2026 : Masterclasse de Claire Gibault avec le Paris Mozart Orchestra
- édition 2026-2028
COMPETITION NEWS
Discover the 2026 laureates
The 2026 finalists are…
La Maestra 2026: Discover the 8 semi-finalists
THE STORY
Why create a conducting competition – with a complementary Academy – open only to women? A legitimate question, perhaps, given that the first signs of changing attitudes towards women conductors are becoming apparent in some parts of the world.
But while more and more women conductors are enjoying successful careers, deeply entrenched sexist discrimination is sadly still a very-present obstacle for many.
With La Maestra International Competition & Academy the Paris Mozart Orchestra and the Philharmonie de Paris are together seeking to unite the international musical world behind a strong commitment to women conductors, encourage vocational aspiration among women and offer the youngest among them unprecedented levels of support.
For there is yet more to be done. The talent is there, in all its abundance and variety. It is now up to all of us to give women orchestral conductors the visibility and support they deserve.
PARIS MOZART ORCHESTRA
Founded by Claire Gibault in 2011, the Paris Mozart Orchestra is a flexible ensemble varying in size and instrumentation according to the demands of each project. Through challenging and innovative programming, the PMO champions both classical and contemporary music, while advancing the accessibility of the arts in a generous spirit of open-hearted partnership.
PHILHARMONIE DE PARIS
A cultural centre like no other in the world, the Philharmonie de Paris encourages all audiences to embrace music.
It has an ambitious artistic and social project based on an exceptional concert programme, a far-reaching education and transmission policy and a heritage project combining the permanent collection of the Musée de la Musique with temporary exhibitions.




